Impasto Oil Painting Ida Mindel Cohen “Boutonniere” Signed Abstract Floral MCM

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USD 450.00
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LocationRedding US
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Start time2026-03-15T13:32:25.000Z
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Impasto Oil Painting Ida Mindel Cohen “Boutonniere” Signed Abstract Floral MCM Specs
ArtistIda Mindel Cohen
Signed ByIda Mindel Cohen ("IMC")
SizeLarge
SignedYes
PeriodPost-War (1940-1970)
Title“Boutonniere”
MaterialBoard
Region of OriginNew York, USA
FramingFramed
SubjectFlowers, Landscape
TypePainting
Original/Licensed ReproductionOriginal
Item Height20.5"
ThemeFloral
Production TechniqueOil Painting
Country of OriginUnited States
Item Width16.5"
Time Period Produced1950-1959
Listing details

Vintage Ida Mindel Cohen Oil Painting “Boutonniere” Signed "IMC" Mid-Century Impasto Abstract Floral Framed in vintage carved gilt wood frame Striking original mid-20th century oil painting titled “Boutonniere” by artist Ida Mindel Cohen, featuring bold abstract floral forms created with thick palette-knife impasto technique. Rich layers of paint in vibrant reds, golden yellows, blues, greens, and warm earth tones create a dynamic bouquet-like composition with dramatic texture and movement. The painting’s expressive brushwork and sculptural paint ridges reflect the influence of mid-century Abstract Expressionist painting, a style that emphasized gesture, color, and emotional impact. The energetic palette-knife application catches the light beautifully, giving the work depth and dimension.The vertical abstract floral composition and bold mid-century

color palette make this painting a striking statement piece for modern or mid-century interiors. The artwork is monogrammed “IMC” in green in the lower right corner, corresponding with the artist’s name on the label attached to the reverse. A typed label on the back reads: IDA MINDEL COHEN BOUTONNIERE OIL Ida Mindel Cohen was a member of the Albany Artists’ Group from 1945–1981, placing her within the regional mid-century art community and suggesting the painting may have been exhibited locally during that period. Painted in oil on artist board (hardboard panel) and presented in a vintage carved gilt wood frame, the piece has the look and materials typical of mid-century gallery presentation (circa 1950s–1960s). This colorful and expressive work makes a wonderful statement piece for mid-century modern interiors, abstract art collections, or gallery walls. Details Artist: Ida Mindel Cohen Title: “Boutonniere” Medium: Oil on artist board Signature: Monogram “IMC” lower right Style: Impasto abstract floral / mid-century modern Period: Mid-20th century, circa 1955–1965 Frame: Vintage carved gilt wood frame Approximate framed size: 20" x 16" Condition Good vintage condition. The painting features beautiful heavy impasto texture with thick palette-knife paint. Frame shows minor wear and patina consistent with age. Back paper shows some aging and small tears. Please review photos for details. A vibrant vintage artwork ready to display.The painting shows several traits that echo the influence of the New York School, the group of artists associated with Abstract Expressionism that became prominent in the 1940s–1950s in New York City. Even regional painters often adopted similar techniques and ideas.Here are the elements in your painting that reflect that influence: 1. Palette-Knife Impasto TextureThe thick sculptural paint in your painting resembles the impasto technique used by many postwar abstract painters. Artists influenced by Abstract Expressionism often used palette knives to build up paint in layers rather than applying smooth brush strokes. 2. Emotional Color Use The colors in the painting—bold reds, bright yellows, deep blues, and greens—are used for emotional impact rather than realism. That approach was central to Abstract Expressionism, where

color and gesture conveyed feeling rather than literal representation. 3. Gesture and Movement The paint application looks energetic and spontaneous, with sweeping strokes and layered patches of color. This gestural approach was a hallmark of artists influenced by the New York School. 4. Abstract Floral Motif Many mid-century painters used loosely abstracted floral subjects as a bridge between traditional still life and pure abstraction. The painting titled “Boutonniere” fits into that tradition—recognizable as a floral form but rendered with expressive abstraction.Based on the stylistic and physical clues in the photos, the painting was most likely produced in the mid-20th century, roughly the 1950s–1960s. Here are the main reasons: 1. Artist Timeline Ida Mindel Cohen was a member of the Albany Artists’ Group from 1945–1981. The abstract floral impasto style in the painting aligns best with work produced during the early to middle part of that period, when Abstract Expressionism was influencing many regional artists. 2. Style of Painting The painting shows: Heavy palette-knife impasto Abstract floral composition Bold mid-century

color palette (reds, yellows, blues, greens) These traits were very common in 1950s–1960s abstract and expressionist painting. 3. Materials and Framing The construction suggests mid-century production: Oil on artist board (hardboard) – widely used from the 1940s–1960s Kraft paper dust backing on frame – typical mid-century framing method Typed identification label – commonly used in gallery or exhibition labeling during the 1950s–1970s. 4. Monogram Signature Artists in the mid-century modern period often used monogram signatures (like IMC) on abstract works rather than full signatures.

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